Cai Guo-Qiang is a contemporary Chinese-born artist who now resides in New York. Head On (FIGURE 7a) is an installation consisting of 99 life-sized replicas of wolves and a glass wall. Cai Guo-Qiang had the wolves made in his hometown, Quanzhou, China. A local workshop was commissioned to make the lifelike wolves that are actually clothed in painted sheepskin and stuffed with hay.
The huge artwork, Vortex (FIGURE 7c), was created by letting various grades of gunpowder explode on paper, on which images of wolves had been stencilled previously (FIGURE 7b).
The artwork shows the burnt and smoky charcoal-stained traces left behind after the explosion.
With reference to the information above and the visual sources (FIGURES 7a–7c), discuss the following in an essay:
- How would you define an installation?
- What, do you think, would be the effect of FIGURE 7a on the viewer?
- It has been remarked that FIGURE 7a is both tragic and beautiful. Do you agree with this statement? Give reasons for your answer.
- According to Cai Guo-Qiang, FIGURE 7a symbolises the human condition. In the light of this statement, interpret the message of this work. Take the pack of wolves and the glass wall into consideration.
- How the drawing in FIGURE 7c is the result of both planning and chance
- The overwhelming sense of movement in both FIGURE 7a and FIGURE 7c
- Your opinion on Cai Guo-Qiang's innovative use of materials and techniques